BOOKS AND ARTISTS' BOOKS
 
     

PUERTO VERANO- Dondardo (Leandro Katz ) Text and graphics, (Spanish) - Letterpress edition of 300. Signed. Dirección de Cultura de Catamarca, Argentina 1960 - 18pp - (Out Of Print)

one left

     

URNAS/METAL - Leandro Katz - Two prose poems (Spanish) - Letterpress edition of 500. Signed. MBLK Editions - Buenos Aires, Argentina 1961 12pp fold-out.

eight

     

UAMPUNGO - Leandro Katz - Text and Poems (Spanish) -Linotype and letterpress edition of 300 - Cover by Pedro Rivas - Nuevos Horizontes, Tupiza, Bolivia 1961- 8pp-

one

     

LAS ESDRUJULAS -Leandro Katz - Prose Text (Spanish) Linotype and letterpress, numbered edition of 500. Signed. Woodcut cover by Rosa Julia Faccaro - Icarus Press/La Lengua Viperina - Lima, Per ú 1961,18pp

one

     

TRES POEMAS - Leandro Katz (Spanish) - Letterpress edition of 150. Signed and numbered. Breve Follaje - Lima, Per ú 1961- 6pp foldout

two

     

•••• - Leandro Katz, Four Texts (Spanish)- Linotype. Numbered edition of l000. Design by Florencio Malatesta. Alerta Gráfica - Iquitos, Perú 1961 - 8pp foldout

two

     

TZANTZAS - Leandro Katz, Five Texts (Spanish) - Letterpress edition of 500 Univesidad Central - Quito, Ecuador 1962 (Part of an edition by four members of the Grupo Tz ántzicos) (Out Of Print)

reproduction

     

ES UNA OLA -Leandro Katz, Prose Text (Spanish)- Edition of 3,000 with a Special Edition of 100 silkscreen cover by the author. Signed, Editorial Sudamericana - Buenos Aires, Argentina 1968 12Opp

ten

     

ñ (a'nyay) - Leandro Katz, Visual homage to that letter of the Spanish alphabet (Spanish/English) Seven color offset edition of 150, The Vanishing Rotating Triangle - New York 1971 -15pp

two

     

LATINAMERICA AND I HAVE A LITTLE NEST IN SWITZERLAND - Leandro Katz - Collage poem with cover and back cover by the author. Offset edition of 300. Bilingual with English translation by Ted Castle, T.V.R.T. 1970. 16pp. (Out of Print)

reproduction

     

DISLOCATION AND RELOCATION OF MONUMENTS - Leandro Katz (Spanish/English) - Edition of 250. The Vanishing Rotating Triangle. New York 1972. 10pp.

two

     

NEGACION Y CONSUMO EN LA CULTURA - Guy Debord. Situationist text in Spanish and collage presented by Leandro Katz as an artwork to the Medellín Biennial Exhibition, Colombia. Cover, back cover and translation by the artist. Offset edition of 300. T.V.R.T. 1972. 14 pp. (Out of Print)

reproduction

     

SELF-HIPNOSIS - Leandro Katz. Texts, graphics and photographs. (English) Offset edition of 1,500 Offset - The Vanishing Rotating Triangle - Viper's Tongue Books 1975. 22pp.

thirty

     

THE MILK OF AMNESIA - Leandro Katz. Texts, graphics and photographs. English. Offset edition of 1,500. C.E.P.A. andThe Visual Studies Workshop. Buffalo, NY. 1985, 24ppISBN: 9780939784110

one

     
Milk of Amnesia

THE MILK OF AMNESIA - Leandro Katz. Texts, graphics and photographs. English. Offset, special edition of 30, signed and numbered. Book by C.E.P.A. and The Visual Studies Workshop. Buffalo, NY. 1985

twenty

     

27 MOLINOS (27 WINDMILLS) - Alphabets, giants and windmills. Signed and numbered edition of 100. Viper's Tongue Books, 1989 29 pp.

two

     

LIBRO QUEMADO/BURNT BOOK - Leandro Katz. One-of-a-kind book. Loose pages, bound in box 321/2 x 171/2 x 31/2 inches, 1992.

only one

     

LIBRO QUEMADO/BURNT BOOK - Leandro Katz. Four color offset edition of 500, hand-bound, soft cover, 10 1/2 x 5 1/2 1995
Nexus Press
, Atlanta, GA. 1995. 14pp

ten

     

CHE/LORO Installation/Book by Leandro Katz, La Lengua Viperina, 1997. Xerox edition of 100, numbered 1-50 Spanish, 51-100 English, card stock, 81/2 x 11inches, plastic spine, 30 pgs.



three
     

SOLIDARIDAD - Book edition of 25 copies, signed and numbered, and Web book (discontinued) - Viper's Tongue - New York 2000



ten
     

ERNESTO CHE GUEVARA IN BOLIVIA: A Chronology - Open edition, card stock, 81/2 x 11, 60 pgs., velo binding, signed. Available in English and in Spanish - Viper's Tongue - New York 2001



per request
     
Shelf Portrait

S(H)ELF PORTRAIT 1972
8x8" (20x20ctms), 60 pages, 50 black and white photographs. Viper's Tongue Books, Buenos Aires 2008
ISBN: 9789872458102


in print
     
Shelf Portrait

S(H)ELF PORTRAIT 1972
8x8" (20x20ctms), 60 pages, 50 black and white photographs. Special bound edition of ten, with DVD. Viper's Tongue Books, Buenos Aires 2008


six
Shelf Portrait

HISTORIA NATURAL
8x8" (20x20ctms), 48 pages. Time and Nature, from waterfalls and rivers to the sea and the moon, construct a meditation on the nature of photography, and on the difference between major and minor events. With an essay by Luis Pérez-Oramas. Spanish/English text. Viper's Tongue Books, Buenos Aires 2010

ISBN: 9789872458126

bouncing ball
in print
Shelf Portrait

LOS FANTASMAS DE ÑANCAHUAZÚ 8x8" (20x20ctms), 300 pages. Works and essays on the last images of Ernesto Che Guevara after his capture and execution in Bolivia in 1967, as well as Leandro Katz's prize-winning film El Día Que Me Quieras, on DVD. This book includes his mural texts and installation works, photographs by Freddy Alborta, and essays by John Berger, Jean Franco, Eduardo Grüner, Mariano Mestman, and Jeffrey Skoller. Texts in Spanish and EnglishViper's Tongue Books, Buenos Aires 2010
ISBN: 9789872458119

bouncing ball
in print
El Viento

EL VIENTO – Published by arte-blogarte.org in an edition of 10 numbered copies and 2 AP's. Sentence written with the Lunar Alphabet. 12 pages. In cloth bound box. Printed on Canson Rag Photographique 310 gsm, 2015

bouncing ball
in print
WORDS

WORDS PHRASES SENTENCES / PALABRAS FRASES ORACIONES. Artist book 25.5 x 18 ctms, 52 pages of texts using the Lunar Alphabet. On illustration paper, 200 grms. stitch bound, edition of 500, rustic cover with flaps that include Cornered Anthem Red and Cornered Anthem Blue (the Argentine National Anthem written with moons), square spine. Published by Viper's Tongue, arte-blogarte, and Henrique Faria New York & Buenos Aires, 2016

bouncing ball
in print
La Forma

LA FORMA – Published by arte-blogarte.org in an edition of 40 numbered and signed copies and 2 AP's. Sentence written with the Lunar Alphabet. 10-page accordion foldout. Silkscreen printed, 2018

bouncing ball
in print
 
Catalogues
 
LightWork

THE CATHERWOOD PROJECT -LightWork, Robert B. Menschel Gallery, Syracuse - New York, 1992



two

TWO PROJECTS / A DECADE -Essays by Julia P. Herzberg, George E. Stuart and Jorge Castañeda. 91/2 x 8, 24 pp., rivet-bound. Spanish and English - Museo del Barrio, New York, 1996



five

TECHSTOS y PHOTOS - Exhibition catalogue 81/2 x 11, 40 pp., perfect bound, Spanish, with notes in English - Museo de Arte Moderno de Buenos Aires, 2003



in print

CÁMARA EMPLUMADA - Exhibition catalogue 6.75 x 6.75, 60 pp., perfect bound, Spanish. Curated by Esteban Alvarez. Introduction by Lidia Blanco, with essays by Jacqueline Barnitz, Cuauhtémoc Medina, and Jesse Lerner. CCEBA, Centro Cultural de España, 2007


nine
     
Telefonica Catalogue

Raptures, Diagonals and Ruptures (Arrebatos, Diagonales y Rupturas), exhibition catalogue. Text and interview by Berenice Reynaud. Spanish and English. Espacio Fundación Telefónica, Buenos Aires, 2014.


in print
     
Tabacalera

The Seagull's Footprint (El Rastro de la Gaviota) Curated by Berta Sichel. Texts by Bérénice Reynaud, Cuauhtémoc Medina and Jesse Lerner. Spanish and English. Tabacalera, Madrid, 2017


in print
     
MUAC PROA catalogue

Proyecto para el día que me quieras y la danza de fantasmas (Project for the day you'll love me and the ghost dance) Curated by Cuauhtémoc Medina, Amanda de la Garza and Cecilia Rabossi. Texts by Cuauhtémoc Medina and Eduardo Grüner. Spanish and English. Museo Universitario de Arte Contemporáneo y Fundación PROA, 2018


in print
Catherwood Project
THE CATHERWOOD PROJECT: Incidents of visual reconstructions and other matters - Leandro Katz and Jesse Lerner, The University of New Mexico Press, 2018. Leandro Katz's dialogue with the nineteenth-century artist Frederick Catherwood, whose images of Maya ruins have fascinated viewers for more than a century. Catherwood's daguerreotypes and sketches, originally published to illustrate the travel narratives of John Lloyd Stephens, are among the most accurate depictions of important Maya sites before the advent of modern archaeology. The artist's photos of the same sites, most of which are previously unpublished, are presented alongside Jesse Lerner's essay exploring their connections to the history of archaeology, their resonance in contemporary art, and the evolution of an artist who seamlessly integrates form and content.

in print
     
     
 
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